<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[Quill and Grace]]></title><description><![CDATA[Reflections on Faith ]]></description><link>https://quillandgrace.org</link><image><url>https://substackcdn.com/image/fetch/$s_!A-vp!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F62b12e33-66b8-4b02-9203-277270d9a32f_464x464.png</url><title>Quill and Grace</title><link>https://quillandgrace.org</link></image><generator>Substack</generator><lastBuildDate>Sat, 13 Jun 2026 12:32:53 GMT</lastBuildDate><atom:link href="https://quillandgrace.org/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Francesca M]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[francescam613@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[francescam613@substack.com]]></itunes:email><itunes:name><![CDATA[Francesca Marinaro]]></itunes:name></itunes:owner><itunes:author><![CDATA[Francesca Marinaro]]></itunes:author><googleplay:owner><![CDATA[francescam613@substack.com]]></googleplay:owner><googleplay:email><![CDATA[francescam613@substack.com]]></googleplay:email><googleplay:author><![CDATA[Francesca Marinaro]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[It's a feature, not a bug. ]]></title><description><![CDATA[When AI enters the classroom and when we let it stay for the course]]></description><link>https://quillandgrace.org/p/its-a-feature-not-a-bug</link><guid isPermaLink="false">https://quillandgrace.org/p/its-a-feature-not-a-bug</guid><dc:creator><![CDATA[Francesca Marinaro]]></dc:creator><pubDate>Fri, 29 May 2026 01:03:24 GMT</pubDate><enclosure url="https://images.unsplash.com/photo-1677691820099-a6e8040aa077?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxjaGF0JTIwZ3B0fGVufDB8fHx8MTc3OTU1OTU4MXww&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://images.unsplash.com/photo-1677691820099-a6e8040aa077?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxjaGF0JTIwZ3B0fGVufDB8fHx8MTc3OTU1OTU4MXww&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@agk42">Alex Knight</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p></p><p>When I stood at the front of a classroom in 2007 to teach my first English Composition class, I heard one of my favorite lines from &#8220;The King and I&#8221; echoing in my mind: &#8220;It&#8217;s a very ancient saying, but a true and honest thought, that if you become a teacher, by your pupils you&#8217;ll be taught.&#8221; I vowed in that moment to always strike a balance between authority and authenticity, to eagerly share my knowledge and subject matter expertise with my students while acknowledging that many of the teachable moments in that room would come from them as they invited me into the vulnerable spaces where learning happens and showed me how to fill those gaps.</p><p></p><p>Fast-forward to 2022, when my pupil turned out not to be a person, but a chatbot. It&#8217;s been nearly four years since ChatGPT burst into our classrooms like Frankenstein&#8217;s creature on steroids, and every time I think I&#8217;ve cracked the code of AI&#8217;s DNA, it has another growth spurt. Yet it would be grossly unfair to say I&#8217;ve gained nothing in the struggle. True, I&#8217;ve become increasingly frustrated by the constant loop of revising assessments to prevent academic dishonesty from wiggling under the guardrails, but at the heart of effective pedagogy is innovation; we can&#8217;t continue to teach the same way we always did as our student populations, needs, and instructional tools evolve. Frustration notwithstanding, the moving goalposts of AI have challenged me to be a better educator because I&#8217;m consistently racing to meet my students where they are in an era when educational technology is evolving faster than we can find the on-switch.</p><p></p><p>I teach first-year composition and introductory literature courses, two subject areas that have suffered massive casualties in the crossfire of the AI revolution. Why, students ask, do I need to learn to write if ChatGPT can write for me? Why, students ask, do I need to learn how to conduct research if AI Mode in Google can find the answers? As strange as it sounds, I invite these questions because they serve a clear pedagogical purpose that feeds directly into writing and research instruction. Educators claim that the best antidote to cognitive offloading with AI, if not a panacea, is to teach students the value of learning, but stating this outright sounds too much like rosy-eyed optimism in an increasingly dark educational landscape where learning for learning&#8217;s sake has been undermined by skills-based training and workforce education. College and university programs equip graduates with skills and degrees that make them marketable in the workforce, certainly, but they also equip graduates with the critical thinking skills to be productive, responsible citizens and savvy consumers of media and information.</p><p></p><p>When I introduce AI into classroom conversations, I emphasize that responsible AI usage hangs on two hinges: knowing when to use it and knowing when not to use it. Equipping students with the skill to make that discernment naturally involves teaching them the value of developing subject matter expertise rather than giving in to the lure of taking the AI shortcut route. Current college students are preparing to enter a workforce in which many of them will be permitted, even encouraged, to use AI, which makes subject matter expertise even more crucial because without such knowledge, they lack the ability to determine where AI automation can make their workflow more efficient and where human oversight is necessary to ensure accuracy and quality. The potentially catastrophic errors resulting from failure to evaluate AI output range from networks shutting down when AI incorrectly flags a data breach to a life-threatening medical diagnosis when a human medical professional incorrectly interprets AI-generated results.</p><p></p><p>When students use AI to cheat, the main reason they get caught has little to do with AI detection, which educators like Jos&#233; Antonio Bowen and C. Edward Watson, in their book <em>Teaching with AI: A Practical Guide to a New Era of Human Learning</em>, have likened to academic smoke detectors. Case in point: when was the last time burned toast or popcorn in your apartment triggered your smoke detector? I&#8217;m asking in the interest of science. Sort of thing that could happen to anyone. The point is: AI detectors might be useful in alerting us to potential abnormalities in student work, but the real detection tool is our subject matter expertise. If a student who has never read <em>Hamlet</em> generates an AI analysis of Hamlet&#8217;s famous &#8220;To be or not to be&#8221; soliloquy, that student has no way of knowing whether AI hallucinated or misattributed quotations from the play because without having read the play, they lack the subject matter expertise to evaluate the accuracy of the AI&#8217;s output.</p><p></p><p>Unfortunately, cognitive offloading that produces inaccurate output is the most common AI flag I identify in student writing, detection tools or not. Yet simply assigning a failing grade without analyzing the suspected AI-generated content and discussing it with the student is a missed opportunity to create a teachable moment. Many of my colleagues and I have adopted the approach of using AI-detection reports not as proof of academic dishonesty, but as a conversation starter. Students whose writing, however rarely, falls into the false positive trap will typically respond correctly to questions about their work; students whose essays are suspected of containing AI-generated content (even if detection tools return a 0% score) will wriggle uncomfortably like a worm on a hook, unable to answer the simplest questions about their thesis or even the topic of their essay. When we explain this and work through the assignment&#8217;s weaknesses, we emphasize the instructional value of learning how to write rather than outsourcing the task of writing to AI.</p><p></p><p>Nowhere does cognitive offloading harm students more than in the writing classroom, where the mantra of process over product is repeated with almost religious enthusiasm. As writing instructors, we don&#8217;t teach our students how to produce polished essays. We teach them how to write essays, which involves the metacognitive work of thinking through purpose and process: brainstorming, outlining, drafting, and revising based on feedback all foster thoughtful rhetorical choices informed by a metacognitive approach to audience-centered writing. Questions about word choice, tone, and evaluation of evidence prompt students to consider the building blocks of their writing, which is why, if a student submits a polished draft without an outline in one of my courses, they lose points. An outline is the writing equivalent of the &#8220;show your work&#8221; directive on a math test. Don&#8217;t just give me the answer. Show me the steps you took to get there. Outlines also demand self-reflection by requiring students to slow down, asking questions like: Where is my argument? Are my body paragraphs flowing sequentially? Am I developing an essay that stays within the parameters of the topic?</p><p></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1456w" sizes="100vw"><img src="https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" width="4592" height="3448" data-attrs="{&quot;src&quot;:&quot;https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:3448,&quot;width&quot;:4592,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;fountain pen on spiral book&quot;,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="fountain pen on spiral book" title="fountain pen on spiral book" srcset="https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, https://images.unsplash.com/photo-1471107340929-a87cd0f5b5f3?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHwxfHxub3RlYm9vayUyMGFuZCUyMHBlbnxlbnwwfHx8fDE3Nzk1NTg2MDZ8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@aaronburden">Aaron Burden</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p></p><p>Redesigning my assignments in response to AI-generated writing now involves an even greater emphasis on process and reflection, challenging students to embrace the messiness of drafting and encouraging them to let me sit with them in the mess. I now ask students to include a prompt reflection with their outlines identifying which prompt from the assignment guidelines they chose and how they think their chosen topic will aid them in practicing whichever rhetorical device we&#8217;re developing. This serves the purpose of detecting and assessing simultaneously. </p><p></p><p>Chatbots can populate an outline worksheet with generated text, but chatbots don&#8217;t know my students and generally produce bland, nondescript reflections. I&#8217;ve tried. Running my outline worksheets through multiple chatbots consistently yields mediocre results, or the chatbot omits this section of the outline entirely. Including the prompt reflection challenges students to consider how researching and writing about a specific topic develops the skills the assignment is intended to capture. Principally, the rubric individually scores each section of the outline: prompt reflection, introduction, body paragraphs, conclusion, and applicable research. As a result, students who attempt to bypass the outline and submit a completed draft lose credit because, as I emphasize, the outline is a tangible artifact of their engagement in the process instead of their focus on turning in a product.</p><p></p><p>Requiring students to provide a skeletal outline that breaks the essay into its component parts prompts them to imagine what the linear structure of their essays might look like. Crucially, the section directly following the introduction includes a space for a working thesis that directs students to isolate the sentence from their introduction that they believe to be their thesis. This prompts them to identify their working argument or main idea and demonstrate that they understand the components of their thesis that set it apart from the rest of their essay. Chatbots routinely fail this test, instead generating entirely fresh statements for the thesis. Typically, students who present a thesis in their outlines, even an underdeveloped one, will often earn higher scores than students who attempt to bypass the draft to underscore my objective: process matters more than product. As counterintuitive as it sounds, I reward messiness at this stage of the writing process because messy thinking is honest thinking.</p><p></p><p>Not being a software developer, I can&#8217;t definitively explain why chatbots fail my thesis test, but I suspect it&#8217;s because the task is deeply metacognitive in nature. As an academic experiment, I asked Claude, my current preferred chatbot of choice, to provide some insight on this behavior. As a writing instructor, I find engaging with AI myself in this way fascinating to &#8220;get under the hood,&#8221; as it were, of AI and learn how students are interacting with it so I can tailor my teaching accordingly. Evaluating the output also reveals why it&#8217;s so tempting for students to reach for AI because the response sounds uncannily human in its self-reflection.</p><p>According to Claude: </p><blockquote><p>The short version is that language models are optimized for production, not retrieval or self-analysis. When you ask a chatbot to complete an outline with a working thesis, its default behavior is to generate &#8212; to produce a well-formed thesis-shaped sentence that fits the prompt. When you then ask it to go back and isolate the thesis from the introduction it just wrote, you&#8217;re asking it to perform a different cognitive operation entirely: read its own prior output as a text, identify a functional structure within that text, and extract rather than create. It will tend to generate a new thesis-shaped sentence anyway, because that&#8217;s the path of least resistance, and it often won&#8217;t notice (or flag) that it has done so. There&#8217;s no internal &#8216;wait, I should look at what I already wrote&#8217; mechanism that reliably kicks in.</p></blockquote><p></p><p>What I found equally fascinating and unsettling was the way Claude acknowledged the metacognitive value of my outline assignment while simultaneously attempting to explain why AI generally struggles to mirror human metacognition. Claude essentially produced a response in which it conducted an analysis of an analytical process beyond what it&#8217;s optimized to do. If this feels like a technological house of mirrors to you, you&#8217;re not alone. If you&#8217;ve spent time watching Claude&#8217;s thought process in real time by reading its &#8220;extended thinking&#8221; notes, it appears to engage in textbook metacognition&#8212;thinking about the process of thinking, analyzing, evaluating its response, and sometimes even self-correcting. Yet its response still maintains that the metacognitive work I&#8217;m asking of students cannot be adequately produced by AI.</p><p></p><p>This response is equally encouraging and unnerving because it blurs the boundaries between AI-resistant and AI-inclusive pedagogy. While I do design specific AI-resistant assignments to ensure I&#8217;m teaching students foundational skills, I don&#8217;t teach writing with an AI-resistant approach. On the contrary, I help students gradually build the skills to use AI in ways that foster critical thinking by exploiting the very process, emphasizing that prompt engineering and asking follow-up questions constitute an iterative process that neatly dovetails with the process of drafting and revising based on feedback and evaluating output. Claude&#8217;s response, then, is encouraging because an AI model that recognizes its own limitations is more likely to refuse to complete a task when it identifies a gap in its skill set. In fact, in my experimentation with chatbots over the last three years to determine how they might behave as a writing tutor, Claude was the only one that consistently would not immediately revise a piece of writing without prompting me to work through it myself or asking if I&#8217;d like further help. ChatGPT, Copilot, and Gemini consistently produce polished writing without prompting, only refusing to do so when in guided learning or study mode. Yet as encouraging as Claude&#8217;s response was, it was equally unnerving because it demonstrates precisely the kind of self-reflection that both software developers and educators insist AI is incapable of producing. Not to mention, this is also precisely the kind of self-reflection that students resist through cognitive offloading.</p><p></p><p>Yet my approach is not, as it might appear, weaponizing the process as a punitive measure to &#8220;catch&#8221; students cheating with AI. The key ingredient here is feedback. I don&#8217;t simply deduct points; I show students the gaps in their critical thinking, AI-generated or not, to show them why, ultimately, learning is active, not passive. For example, teaching students the pitfalls of AI-generated research essays entails teaching them what research actually is&#8212;not simply Googling search terms and searching for sources, but seeking answers to questions through discovery. Locating sources is only the first piece of the puzzle. The remaining and more critical piece involves evaluating sources and making thoughtful rhetorical choices around weighing and selecting logical evidence. I lean heavily on students using the quote sandwich to analyze and contextualize research, something that AI, despite advancements in web searching and deep research capabilities, still executes inexpertly. My feedback will include clear comments such as &#8220;This quotation is dropped and doesn&#8217;t clearly support your research,&#8221; or &#8220;You&#8217;re writing about TikTok&#8217;s impact on teen mental health, but you&#8217;re citing a study from 1995 before TikTok even existed.&#8221; (This one beat all the competition when it comes to glaring AI-generated content.) The successes, when they occur, are equally satisfying and impressive, like the health science student who grappled with hours of research to locate data on algorithmic bias in AI-generated analyses of skin cancer screenings or the student who pored over mental health data across the state of Florida to argue in favor of a bill that codifies mental health days as excused absences.</p><p></p><p>Will some students still slip past the guardrails? Undoubtedly. No judicial system is flawless. That said, the payoff I&#8217;m finding is that all my students, not merely the ones seeking shortcuts, are challenged to throw more muscle behind their work. Grades this semester have been lower than previously&#8212;hardly surprising given more nuanced assessment strategies and heavier weighting to emphasize the importance of academic integrity. What I have found equally surprising and refreshing is that more students than previously are coming to me not to challenge their grades, but to question, to understand how I evaluate their work, and to learn how they can apply that feedback moving forward. This is precisely the growth mindset approach to learning that I&#8217;ve struggled for nearly twenty years to instill in students, and I suspect, like many of my colleagues, it&#8217;s taken a chatbot-turned-cheating-tool to bring us to this epiphany.</p><p></p><p>On my first day of teaching, I vowed to learn from my students as much as to teach, to receive as much as to give. AI has entirely reframed that philosophy because even as I teach students to inhabit the gaps in their knowledge and admit what they don&#8217;t know, I&#8217;m admitting that I&#8217;m not always the expert in the room. The nearly twenty-year gulf of experience between my desk and theirs suddenly shrinks when we&#8217;re all trying to wrap our arms around this creature called AI. AI has challenged me to step up my game as a teacher because responsible teaching is about more than imparting subject knowledge. It&#8217;s about teaching students to use the knowledge and tools at their disposal with personal and professional integrity. In the end, AI is no different than every other tool that invaded our classrooms. Every anti-AI argument we&#8217;ve made has been previously launched against computers and search engines that are now as ubiquitous in our workflow as were the pencil and notebook before them. No longer the elusive shape-shifter that simultaneously breaks the mold while constructing a new one, AI is becoming a recognized part of the framework. As we acknowledge its existence and learn its functions, AI feels less and less like that spare part we find when unboxing a toy only to stare at it and wonder where it fits. As the tech gurus are fond of saying, &#8220;It&#8217;s a feature, not a bug.&#8221;</p><p></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://quillandgrace.org/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading! Subscribe to keep the grace going. &#128153;</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p>]]></content:encoded></item><item><title><![CDATA[Picking Up the Pen Again]]></title><description><![CDATA[Making a New Start on a Never-Ending Story]]></description><link>https://quillandgrace.org/p/picking-up-the-pen-again</link><guid isPermaLink="false">https://quillandgrace.org/p/picking-up-the-pen-again</guid><dc:creator><![CDATA[Francesca Marinaro]]></dc:creator><pubDate>Thu, 21 May 2026 20:12:10 GMT</pubDate><enclosure url="https://images.unsplash.com/photo-1765850258689-8e300b680b0f?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw1fHxxdWlsbCUyMGFuZCUyMGlua3xlbnwwfHx8fDE3NzgzNDM5MzV8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" length="0" type="image/jpeg"/><content:encoded><![CDATA[<div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://images.unsplash.com/photo-1765850258689-8e300b680b0f?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw1fHxxdWlsbCUyMGFuZCUyMGlua3xlbnwwfHx8fDE3NzgzNDM5MzV8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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srcset="https://images.unsplash.com/photo-1765850258689-8e300b680b0f?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw1fHxxdWlsbCUyMGFuZCUyMGlua3xlbnwwfHx8fDE3NzgzNDM5MzV8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 424w, https://images.unsplash.com/photo-1765850258689-8e300b680b0f?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw1fHxxdWlsbCUyMGFuZCUyMGlua3xlbnwwfHx8fDE3NzgzNDM5MzV8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 848w, https://images.unsplash.com/photo-1765850258689-8e300b680b0f?crop=entropy&amp;cs=tinysrgb&amp;fit=max&amp;fm=jpg&amp;ixid=M3wzMDAzMzh8MHwxfHNlYXJjaHw1fHxxdWlsbCUyMGFuZCUyMGlua3xlbnwwfHx8fDE3NzgzNDM5MzV8MA&amp;ixlib=rb-4.1.0&amp;q=80&amp;w=1080 1272w, 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12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo by <a href="https://unsplash.com/@jvmarcilio">Joao Vitor Marcilio</a> on <a href="https://unsplash.com">Unsplash</a></figcaption></figure></div><p></p><p>Dear Reader,</p><p>Wherever you are, you&#8217;re here, inhabiting this space, and in so doing, you&#8217;ve invited me into yours.</p><p></p><p>So now that you&#8217;re here, what can you expect to find? Think of this as less of a blog than a memoir in motion of my adventures (or misadventures) navigating the world with my self-deprecating wit in one hand and my white cane in the other. Whether I&#8217;m trying to solve a particular pedagogical puzzle, reflecting on my journey through the world as a woman of faith, or ruminating on whatever I happen to be watching or reading at the moment, if I&#8217;m living it, I&#8217;m probably writing about it.</p><p></p><p>Stories have always been how I make sense of the world, so writing has always seemed a natural outlet. The world is full of chaos; writing is my attempt to bring order to it. For me, writing isn&#8217;t an art form. It&#8217;s a primal itch. It&#8217;s how I engage with a world I can&#8217;t see. It&#8217;s why, as often as I&#8217;ve put down my pen over the years, I&#8217;ve returned to it again, because the primal itch will always need to be scratched. Yet this itch isn&#8217;t merely an urge to record, but rather to reach out, because a story only finds meaning if a reader inhabits that space. I teach my students that writing can&#8217;t exist in a vacuum; when we write, we&#8217;re bearing witness to something we want to share, so there&#8217;s always a purpose for writing that extends beyond ourselves.</p><p></p><p>My writing journey dates back to 2010 as a struggling doctoral student in English surviving on a diet of dreams and dollops of peanut butter, praying Mr. Darcy (Colin Firth edition) would come to rescue me from my misery. When I wasn&#8217;t attempting to complete my dissertation, blogging became a kind of pressure release valve. While I sometimes tracked page-counts of dissertation chapters in a nod to Bridget Jones-style calorie counting, mostly, I just wrote. The only rules were mine, namely to indulge in the pure pleasure of writing in a space unfettered by the chains of academic expectations. My think-pieces on everything from Braille literacy to book reviews amassed a small following that eventually led to a short stint in freelance writing as a stopgap between online tutoring work and applying for tenure-track teaching positions.</p><p></p><p>I eventually secured the coveted teaching position, and if I weren&#8217;t Catholic and didn&#8217;t already believe in the existence of Purgatory, the five-year tenure track would have convinced me that it is in fact real. There&#8217;s a twisted irony in an English professor teaching writing and having little time to devote to practicing the craft, but I resigned myself to sitting in that uncomfortable fractured space until I could mend it.</p><p></p><p>If purpose moves the pen, it naturally follows that the pen ceases to move when the purpose is lost. I no longer remember precisely where or when I misplaced my purpose, but in the midst of climbing the tenure ladder with one hand and holding my life steady with the other, Covid happened. The pandemic was the punctuation at the end of every sentence. The entire world seemed at once to be standing still and spinning out of control, and no one knew quite how to articulate what was happening. When I endeavored to write anything, I felt stuck in the same lockdown loop as everyone else, and writing a grocery list, let alone an entire blog post, required more words than my brain had the capacity to formulate.</p><p></p><p>Then I emerged from the end of the world, the Earth tilted back into position, and I found myself on solid ground again. I circled the idea of returning to the blog, but without any real conviction to move forward. After securing tenure and settling into what felt like a comfortable work/life balance, I noticed the writing itch tickling the corners of my brain until I could no longer ignore the urge to scratch. I needed to write again, but why, and about what? The answer I kept returning to was simple: whatever was in my heart that I felt moved to share.</p><p></p><p>I felt called to bear witness to something, and finally that something crystallized for me a few months ago while rewatching a scene from Season 3 of <em>The Chosen</em>, a television series that dramatizes the life of Jesus and is one of my absolute favorite shows. The moment occurs during a conversation between one of the disciples, Little James (played by Jordan Walker Ross) and Jesus (played by Jonathan Roumie). Jesus has just commissioned the disciples to go out two by two, preaching the gospel and healing the sick. Little James has extreme difficulty walking, and toward the end of the episode, he asks Jesus, point-blank, why he hasn&#8217;t been healed if Jesus has given him the power to heal others. Jesus&#8217;s answer hits the bullseye, because of course it does, because he&#8217;s Jesus:</p><blockquote><p>In the Father&#8217;s will, I could heal you right now, and you&#8217;d have a good story to tell, yes?...but think of the story that you have, especially in this journey to come, if I don&#8217;t heal you; to know how to proclaim that you still praise God in spite of this&#8230;to show that you can be patient with your suffering here on earth because you know you&#8217;ll spend eternity with no suffering.</p></blockquote><p>The pathos in this moment lands largely because Jordan Walker Ross has scoliosis and cerebral palsy, so this call to bear witness that Jesus invites Little James to answer isn&#8217;t merely performative. It&#8217;s deeply personal, and it runs counter to the myth that people with disabilities can only bear witness to how Christ works in our lives if we&#8217;re healed. The moment also hits home for anyone like me who lives in a body that isn&#8217;t considered &#8220;normal.&#8221; Jesus is encouraging Little James to bear his suffering with patience precisely because in this moment, his patience is being tested. He&#8217;s been carrying this cross for his entire life, and he&#8217;s aching with the weight of it. Never as a person with a disability had I felt so seen as I did while watching that exchange. My lack of patience is the cross whose weight I tend to buckle under more often than not, but this is my reality. It&#8217;s not miraculous, not in the jaw-dropping, raising Lazarus or healing the blind man way that we tend to associate with miracles. It&#8217;s just bearing witness to life, and by sharing my story, perhaps someone will see the reflection of their own.</p><p></p><p>This is the purpose of my pen. Welcome to Quill and Grace, Reader. I&#8217;m glad you&#8217;ve come, I&#8217;m glad you&#8217;re here, and I hope, most of all, that whatever you&#8217;re seeking in this space, you find it. </p><p></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://quillandgrace.org/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">Thanks for reading! 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